Nominations for Outstanding Sound Mixing 75th Primetime Creative Arts EMMY Awards
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
Better Call Saul
“Saul Gone”
Larry Benjamin CAS, Rerecording Mixer Kevin Valentine, Rerecording Mixer
Philip W. Palmer CAS, Production Mixer Production Sound Team:
Mitchell Gebhard, Boom Operator;
Andrew Chavez, Utility Sound Technician
The Last of Us
“When You’re Lost in the Darkness”
Marc Fishman CAS, Rerecording Mixer
Kevin Roache CAS, Rerecording Mixer
Michael Playfair CAS, Production Mixer
The Marvelous Mrs. Maisel
“The Testi-Roastial”
Ron Bochar, Rerecording Mixer
Mathew Price CAS, Production Mixer
Stewart Lerman, Scoring Mixer
George A. Lara, Foley Mixer
Production Sound Team: Carmine Picarello,
Spyros Poulos, Egor Panchenko
Stranger Things
“Chapter Nine: The Piggyback”
Craig Henighan CAS, Rerecording Mixer
William Files CAS, Rerecording Mixer
Mark Paterson, Rerecording Mixer
Michael P. Clark CAS, Production Mixer
Production Sound Team: Brenton Stumpf, Boom Operator; Stokes Turner, UST;
Andrejs Prokopenko, Production Sound Mixer (New Mexico Unit); Vytautas Kizala,
Production Sound Mixer (Lithuania Unit)
Succession
“Connor’s Wedding”
Andy Kris, Rerecording Mixer
Nicholas Renbeck, Rerecording Mixer
Ken Ishii, Production Mixer
Tommy Vicari, Scoring Mixer
Production Sound Team: Peter Deutscher, Michael McFadden, Luigi Pini
The White Lotus
“Arrivederci”
Christian Minkler, Rerecording Mixer
Ryan Collins, Rerecording Mixer
Vincenzo Urselli, Production Mixer
Production Sound Team: David D’Onofrio, Boom Operator; Curzio Aloisi, Sound Utility
Outstanding Sound Mixing for a Limited or Anthology Series or Movie
Beef
“The Great Fabricator”
Penny Harold, Rerecording Mixer
Andrew Garrett Lange, Rerecording Mixer
Sean O’Malley, Production Mixer
Production Sound Team:
Chris Thueson, Boom Operator;
Kendra Bates, Sound Utility;
Jeffrey Zimmerman, Music Playback; Byron Echeverria, Video Assist
Additional Mixers: Jeremy Brill,
Mark Stockwell
Dahmer – Monster: The Jeffrey Dahmer Story
“Lionel”
Laura Wiest, Rerecording Mixer
Jamie Hardt, Rerecording Mixer
Joe Barnett, Rerecording Mixer
Amanda Beggs, Production Mixer
Production Sound Team: Zach Wrobel, Boom Operator; Saif Parkar, Utility Sound Technician; Britney Darrett, Leslie Metts, Brandyn Johnson, Sound Trainees
Daisy Jones & The Six
“Track 10: Rock ’n’ Roll Suicide”
Lindsay Alvarez CAS, Rerecording Mixer
Mathew Waters CAS, Rerecording Mixer
Chris Welcker, Production Mixer
Mike Poole, Music Mixer
Production Sound Team: Ryan Farris,
Boom Operator/Music Playback Operator; Emily Poulliard, Utility Sound Technician
Additional Crew: Donovan Thibodeaux &
Jared Lawrie, Boom Operators;
Oliver Bonie, Utility Sound
Obi-Wan Kenobi
“Part VI”
Danielle Dupre, Rerecording Mixer
Scott Lewis, Rerecording Mixer
Bonnie Wild, Rerecording Mixer
Julian Howarth CAS, Production Mixer
Production Sound Team:
Ben Greaves, Boom Operator/2nd Unit Sound Mixer; Eric Altstadt, Boom Operator; Yohannes Skoda, Sound Utility;
Chris Burr & Yisel Pupo Calles, Sound Trainees; Scott Solan, Boom Operator;
Cole Chamberlain, Boom Operator
Weird: The Al Yankovic Story
“The Roku Channel”
Tony Solis, Rerecording Mixer
Richard Bullock, Production Mixer
Brian Magrum, ADR Mixer
Phil McGowan, Score Mixer
Production Sound Team: Tanya Peel, Boom Operator; Kelly Lewis, Sound Utility
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
Barry
“wow”
Elmo Ponsdomenech CAS,
Rerecording Mixer
Teddy Salas, Rerecording Mixer
Scott Harber CAS, Production Mixer
Production Sound Team: Erik Altstadt, Charles Stroh, Evan Scheckwitz
The Bear
“Review”
Steve “Major” Giammaria,
Rerecording Mixer
Scott D. Smith CAS, Production Mixer
Production Sound Team: Joe Campbell, Boom Operator; Nicky Ray Harris, Boom Operator; Nicholas Price, Sound Utility
The Mandalorian
“Chapter 24: The Return”
Scott R. Lewis, Rerecording Mixer
Tony Villaflor, Rerecording Mixer
Shawn Holden CAS, Production Mixer
Chris Fogel, Scoring Mixer
Production Sound Team:
Patrick H. Martens, Boom Operator;
Yvette Marxer, Sound Utility;
Moe Chamberlain, Tandem Unit Production Mixer; Kraig Kishi, Boom Operator; Cole Chamberlain, Sound Utility; David Hernandez, Sound Trainee
Only Murders in the Building
“The Tell”
Penny Harold, Rerecording Mixer
Andrew Lange, Rerecording Mixer
Joseph White Jr. CAS, Production Mixer
Alan DeMoss, Scoring Mixer
Production Sound Team:
Jason Benjamin, Timothy R. Boyce Jr.
Outstanding Sound Mixing for a Variety Series or Special
Bono & the Edge: A Sort of Homecoming With Dave Letterman
Phil DeTolve, Rerecording Mixer
Brian Riordan, Rerecording Mixer
Alastair McMillan, Music Mixer
Elton John Live: Farewell From Dodger Stadium
Michael Abbott, Broadcast Production Mixer
Eric Schilling, Music Mixer
Matt Herr, FOH Mixer
Alan Richardson, Monitor Mixer
The 65th Annual Grammy Awards
Thomas Holmes, Production Mixer
John Harris, Music Mixer
Eric Schilling, Music Mixer
Jeffery Peterson, FOH Production Mixer
Ron Reaves, FOH Music Mixer
Mike Parker, FOH Music Mixer
Andres Arango, Monitor Mixer
Eric Johnston, Supplemental Mixer
Christian Schrader, Supplemental Mixer
Kristian Pedregon, Rerecording Mixer
Juan Pablo Velasco, Playback Mixer
Aaron Wall, Playback Mixer
Saturday Night Live
“Co-Hosts: Steve Martin & Martin Short”
Robert Palladino, Production Mixer
Ezra Matychak, Production Mixer
Frank Duca Jr., FOH Production Mixer
Caroline Sanchez, FOH Music Mixer
Josiah Gluck, Broadcast Music Mixer
Jay Vicari, Broadcast Music Mixer
Tyler McDiarmid, Playback Mixer
Christopher Costello, Monitor Mixer
Teng Chen, Supplemental Mixer
William Taylor, Supplemental Mixer
Geoff Countryman, Supplemental Mixer
Devin Emke, Post Audio Mixer
Outstanding Sound Mixing for a Nonfiction Program (Single or Multi-Camera)
Moonage Daydream
Paul Massey, Rerecording Mixer
David Giammarco, Rerecording Mixer
100 Foot Wave
“Chapter V: Lost at Sea”
Keith Hodne, Rerecording Mixer
The Sound of 007
Richard Davey, Rerecording Mixer
Jonny Horne, Production Mixer
Simon Norman, Production Mixer
Francesco Corazzi, Production Mixer
Stanley Tucci: Searching for Italy
“Calabria”
Matt Skilton, Rerecording Mixer
Christopher Syner, Production Mixer
Still: A Michael J. Fox Movie
Skip Lievsay, Rerecording Mixer
Benjamin Berger, Production Mixer
Martin Kittappa, Production Mixer
Lily van Leeuwen, Production Mixer
Outstanding Sound Mixing for a Reality Program (Single or Multi-Camera)
The Amazing Race
“The Only Leg That Matters”
Jim Ursulak, Lead Production Mixer
Troy Smith, Rerecording Mixer
Deadliest Catch
“Call of a New Generation”
Jared Robbins, Rerecording Mixer
RuPaul’s Drag Race
“Wigloose: The Rusical!”
Erik Valenzuela, Rerecording Mixer
Sal Ojeda, Rerecording Mixer
David Nolte, Production Mixer
Gabe Lopez, Music Mixer
The Voice
“Live Top 10”
Michael Abbott, Production Mixer
Randy Faustino, Broadcast Music Mixer
Tim Hatayama, Rerecording Mixer
Welcome to Wrexham
“Do or Die”
Mark Jensen CAS, Rerecording Mixer
Names in bold are Local 695 members
Disclaimer: The Academy of Television Arts & Sciences (ATAS) does not award Emmy statuettes or nomination certificates to those listed under “Production Sound Team”